{"id":12565,"date":"2022-07-07T05:36:26","date_gmt":"2022-07-07T05:36:26","guid":{"rendered":"https:\/\/www.booksofall.com\/?post_type=product&p=12565"},"modified":"2022-07-07T05:41:53","modified_gmt":"2022-07-07T05:41:53","slug":"phillis-wheatley-an-eighteenth-century-genius-in-bondage","status":"publish","type":"product","link":"https:\/\/www.booksofall.com\/fr\/phillis-wheatley-an-eighteenth-century-genius-in-bondage\/","title":{"rendered":"Phillis Wheatley: an Eighteenth-Century Genius in Bondage"},"content":{"rendered":"

Transported as a slave from West Africa to America when just a child, Phillis Wheatley published in 1773 at the age of twenty her\u00a0Poems on Various Subjects, Religious and Moral<\/em>. Vincent Carretta takes a look at the remarkable life of the first ever African-American woman to be published.<\/strong><\/p>\n

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The African-American poet Phillis Wheatley<\/a> has achieved iconic status in American culture. A 174-word letter from her to a fellow servant of African descent in 1776 sold at auction in 2005 for $253,000, well over double what it had been expected to fetch, and the highest price ever paid for a letter by a woman of African descent. Elementary, middle, and high schools throughout the United States bear her name. A prominent statue in Boston memorializes her. Wheatley is the subject of numerous recent stories written for children and adolescents. Googling \u201cPhillis Wheatley\u201d turns up about 665,000 items.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The author we now know as Phillis Wheatley was born around 1753 somewhere in West Africa, probably between present-day Gambia and Ghana. She was forced to endure the Middle Passage from Africa to America when she was about seven or eight years old, and brought to Boston, where she was sold as a domestic servant to John and Susanna Wheatley. They called her Phillis, after the name of the slave ship that brought her from Africa. Encouraged by her owners, Phillis Wheatley quickly became literate and began writing poetry that soon found its way into local newspapers. Notwithstanding the prejudices against her race, social status, gender, and age, Wheatley became the first published woman of African descent in 1767. She gained international recognition with her funeral elegy on the death of the evangelist George Whitefield, addressed to his English patron, the Countess of Huntingdon, and published in Boston and London in 1770. By 1772 Wheatley had written enough poems to enable her to try to capitalize on her growing transatlantic reputation by producing a book of previously published and new works. Unable to find a publisher in Boston, in part because of racial prejudice, Wheatley and her owners successfully sought a London publisher and Huntingdon\u2019s patronage in 1773 for her\u00a0Poems on Various Subjects, Religious and Moral<\/em>.<\/p>\n<\/div>\n<\/div>\n

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Phillis Wheatley\u2019s trip to London with her master\u2019s son to arrange for the publication of her book was a turning point in her personal and professional lives. Her six-week stay in London enabled her to establish a network of associations that included many of the militarily, politically, religiously, and socially most important people in North America and Britain She arrived in England a year after a court decision declared that slave owners could not legally compel their slaves to return to the colonies. Phillis returned to Boston shortly before her book was published. Within a month of her return she wrote a friend that she had been freed \u201cat the desire of my friends in England.\u201d She had apparently agreed to return only after her owner was compelled to promise to free her if she did.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The assertiveness that Phillis probably displayed in her dealings with Nathaniel Wheatley<\/a> was anticipated more subtly in her Poems. Wheatley does not hesitate in Poems to proclaim her African heritage. Her opening poem, “To Maecenas,” thanks her unnamed patron, loosely imitating Classical models such as Virgil and Horace’s poems dedicated to Maecenas, the Roman politician and patron of the arts. Emphasizing in a footnote that the Classical Roman poet Terence “was an African by birth,” Wheatley implies that her “Maecenas” has enabled her to claim a place in the Western literary tradition, which has included Africans since its beginning. Elsewhere in her poems, Wheatley appropriates the persona of authority or power normally associated with men and her social superiors. For example, in “To the University of Cambridge, in New-England,” first composed when she was about fifteen years old, Wheatley speaks as a teacher to students, or a minister to his flock, in addressing the young men of what was to become Harvard University, many of whom were being trained there to become ministers themselves.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"