{"id":15157,"date":"2022-07-21T06:44:13","date_gmt":"2022-07-21T06:44:13","guid":{"rendered":"https:\/\/www.booksofall.com\/es\/?post_type=product&p=15157"},"modified":"2022-07-21T06:44:26","modified_gmt":"2022-07-21T06:44:26","slug":"queen-of-arts-christina-of-swedens-roman-reign","status":"publish","type":"product","link":"https:\/\/www.booksofall.com\/es\/queen-of-arts-christina-of-swedens-roman-reign\/","title":{"rendered":"Queen of Arts: Christina of Sweden\u2019s Roman reign"},"content":{"rendered":"

Anyone who wanted to see the musical avant-garde at work around 1600 went south of the Alps. With figureheads such as Monteverdi, Peri and Caccini and their work in the new opera genre, Italy pioneered an innovative repertoire and \u2018modern\u2019 styles and became the mecca for musicians in the early days of the baroque era. As the capital and seat of the papal residence,\u00a0Rome<\/a>\u00a0occupied a special place within that vibrant music scene. For while opera dominated in other large cities like Florence, Naples and Venice, in Rome – where the pope had closed the only public theatre after 4 seasons – oratorios, cantatas, chamber music and orchestral genres prevailed.<\/p>\n

A consequence of this lack of a public concert circuit was that any musician aiming at establishing a stable career was dependent upon the private music circuit fostered by clergy and nobility. They provided for the income of composers and musicians, by hiring them or by giving assignments. Those sufficiently well-off could enjoy the best performers and the latest music within the walls of his or her own city palace. Between 1670 and 1730, one of the most important musical benefactors in Rome was a lady considered one of the most learned women of her time:\u00a0Christina of Sweden (1626-1689)<\/a>.<\/p>\n

The daughter of\u00a0King Gustav of Sweden<\/a>, Christina was educated both in the arts and the sciences. She had a keen interest in literature, physics, religion, alchemy, music and art and built an important art collection in an attempt to make Stockholm “the Athens of the North”. She received eminent foreign writers, musicians, and scholars at her court \u2013 among which\u00a0Ren\u00e9 Descartes<\/a>, her philosophy teacher. Her intelligence, knowledge and witty nature gained her the nickname \u2018Minerva\u2019. Christina succeeded her father on the Swedish throne, to take care of posterity, but she struggled with the expectations that were made of women. She detested the idea of having to marry, and was uncomfortable with the sort of things “women were supposed to talk about”. Christina was not your average princess, dressing up in lace gowns and tiaras, but somewhat of a tomboy,\u00a0wearing men’s clothes<\/a>\u00a0and shoes.<\/p>\n

In 1654, after ten years of reign, she secretly converted to Catholicism and renounced the throne \u2013 an act that shocked and confused the Christian world. She migrated to Rome, where she was welcomed with open arms by Pope\u00a0Alexander VII<\/a>. Christina was now in the heart of the baroque art scene that so passionately thrilled her. Shortly after her arrival she founded the\u00a0Accademia dell’Arcadia<\/a>: a series of meetings for leading artists and intelligentsia of the city, with the aim to revive the classicist ideals of antiquity. The\u00a0Tor di Nona<\/a>, Rome\u2019s first public opera house, was opened at her instigation…..<\/p>\n","protected":false},"excerpt":{"rendered":"