A true writer-journalist,\u00a0Emile Zola<\/a>\u00a0successfully managed both activities for about 20 years, at first out of financial necessity before he became a successful author, but also by conviction.<\/p>\n Poster advertising the publication of Emile Zola’s ‘La D\u00e9b\u00e2cle’ in the newspaper ‘Le Radical’, 1892,\u00a0Biblioth\u00e8que nationale de France, No Copyright – Other Known Restrictions He sent his first articles to newspapers in 1863. His early contributions were critiques of the art and literature of his day, but his articles soon turned political and took on a combative tone. Having mocked the French Second Empire (1852-1870) as a “feeding frenzy” in ‘La Cloche’ on 13 April 1870, Zola founded the patriotic newspaper ‘La Marseillaise<\/a>‘ in the middle of the Franco-Prussian War. It was at that point that he became a political journalist, writing from the benches of the Assembly which had taken refuge in Versailles.<\/p>\n As an author writing in the naturalist genre, Zola showed the keen perception of a journalist in his writing and he considered his activity in the press to be genuine writer’s work. In this sense, the two aspects of his writing were closely related. “We are all children of the press”, he stated in ‘Le Figaro’ on 22 September 1881, as he announced his intention to leave journalism. It is surprising that his temporary retirement from journalism happened the same year as a major\u00a0law for freedom of the press<\/a>\u00a0came into effect, almost as though the writer was leaving the battlefield once victory had been assured. While temporarily withdrawn from political jousting in the press, Zola expressed concern in 1894 in the ‘Annales politiques et litt\u00e9raires<\/a>‘ about the “state of nervous over-excitement in which current journalism is holding the nation”. Yet he did not stay silent very long: his opinion column “Pour les Juifs<\/a>” in ‘Le Figaro’ on 16 May 1896 gave him the opportunity to directly oppose Edouard Drumont’s antisemitic statements. It also foreshadowed his extremely famous open letter “J’accuse !”<\/a>\u00a0(“I accuse!”), published in Georges Cl\u00e9menceau’s paper ‘L’Aurore’ on 13 January 1898, which made him the centre of attention and marked the point when “intellectuals” took on a central role in public debate.<\/p>\n This episode illustrates all the skill of a man who was well-versed in the workings of the press and perfectly aware of the impact his article would have. The Dreyfus Affair, covered by newspapers\u00a0in real time and day by day<\/a>, turned Zola into one of the\u00a0main protagonists<\/a>\u00a0in a legal and political controversy. According to ‘La Croix’ on 14 January 1898<\/a>, “Mr Zola published an abusive diatribe this morning in which he makes the most inflammatory accusations”.<\/p>\n","protected":false},"excerpt":{"rendered":"